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"Nuraiò devils" of Soriga

Of Morgan Palmas

The adjective "Fiends of Nuraiò" Flavio Soriga: bubbly.

Pages 160, the mistral.

credentials were excellent for this collection of short stories, including a Calvino Prize for unpublished works in 2000. They were.

enthusiastic Foreword by Lella Costa, bombastic preface to the first edition of Silvana Grasso, no later than in the book, I make a dip in the pool of Soriga pike.

A Don Giovanni twenties that explores the length and breadth of Europe with fire in his eyes, Holland seems to have found peace, even love, if you did not live again that boor Argentine better pizzas Cubeddu Cristina meets, how long, "So, we have become famous, eh?" if two people are talking about you, you're nobody, not even if they do in ten, if the whole country and the surrounding area knows what you could do in the Palio of the Assumption, then the matter is serious and inviting, defeatist, what does this mean? He did not know before, now even the sky for example is the defeatist. The not knowing travels hand in hand with idolatry?; In eight out of a gray van, they said that the Duce's got more hard, the mother told them she had gone to the country her son ... "Peppeddu, but you know what want these shirts? ", these shirts would bring the sons of Sebastian Sanna to give castor oil.

Tales Soriga will engulf one another with a single discriminant: Nuraiò, an imaginary country not far from Casteddu, capital of Sardinia.

"Nuraiò on fire! Nuraiò in flames, "cried Franchino, running half naked through the streets, but Uncle John loves the silence, away from the worms that pierce the country to continue his peace of mind: the brambles, among the trees of juniper and rock rose loves to dive in nature, the beach front of Rush.

The words fly swiftly, grammar is not an impediment, but an added value, with licenses and freedom that is well wedged into the stories. The adjective suitable for the collection of Soriga it is bubbly, this does not mean you need pleasure, because after five six stories wonder no longer has the same initial force, the writer points to the amazement, he is a slave, so each new character can not enjoy "normal", is characterized to blindly follow the word mentioned.

Here are two sides of "devils Nuraiò" On the one hand, the stories are read and involving, on the other hand, a static scheme that is repeated at a casual glance may not seem obvious, contrary to those seeking to go further, exploring the less obvious aspects of writing, as in the last pages, a provocation for literary closure bubbly.

sometimes use the Sardinian language makes it even more real situations, which collapsed in the everyday life of a small country, but would be even more attractive to deepen such a groove, in which - other writers have worked so hard on the relationship Sardinians Cagliari / Casteddu, to be clear - the possibilities in the collection of Soriga were numerous. Nuraiò seems, ultimately, less Sardinian than some critics have imagined, unfortunately, not as devils and demons.